This book is about one of the greatest, perhaps the most "pro-
klyatyh "problems of the theory and history of documentary kinemato-
Count - the problem of the relationship of documentary films with Member
State and Society The author begins with the pre-revolutionary
times when the empire led non-fiction films, leads
Soviet totalitarianism through to the present day, when the new Rus-
And this "takes over" the royal tradition and again throws kinodoku-
mentalists to their destinies, but now in a
That crisis and ruin this triad, traced to abundant
factual material, and is a useful basis
monograph
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